and in part of workshops taught by Karen T. Taylor at the F.A.C.T.S. facility at San Marcos, Texas February 2012, 2013, and 2014.
http://www.dundee.ac.uk/study/pg/forensic-art-facial-identification/
http://www.karenttaylor.com/
First semester consisted of Anatomy 1: Head and Neck, Anatomy 2: Full Body, Life Art, Digital Media Practice, and Research Methods
Second semester covers Forensic Facial Imaging, Analysis and Comparison- facial photography, 3D-imaging techniques, CCTV analysis, forensic facial image comparison and facial biometrics. Forensic Art- Composite art, artificial age progression, post-mortem recreation, and craniofacial superimposition. Medical-Legal Ethics which includes Scotland, the UK and research into where a student hopes to work.
Third semester is a self directed dissertation and exhibition.
Work created in the first semester as part of three modules Life Art, Head and Neck Anatomy, and Full Body Anatomy.
All work was created at the University of Dundee as part of the Forensic Art and Facial Identification course 2015.
Looking at historical wax models, ecorché and current anatomical models, create design an anatomical model of the head and neck.
Dorsal view of a scapula created from specimen using Photoshop.
Forensic facial reconstruction is the process of recreating the face of an individual, whose identity is often unknown, from the skeletal remains thought scientific approximations and artistic techniques. It is the most subjective and often controversial technique in the field of forensic art.
Reconstructions created using clay.
All work was created at the University of Dundee as part of the Forensic Art and Facial Identification
Age progression is the process of modifying a photograph to represent the effect of aging on the appearance. Following the scientific changes in the face which occur while aging and using reference images of family members this tool can provide an approximate face of an individual which can be used by law enforcement.
Post-Mortem depiction is used when bodies are in good enough condition for an artist to depict a reasonable facial likeness based upon morgue or crime scene photographs. The resulting image can be used to find potential leads or identities from the public.
Due to the nature and subject of these images final images are presented with identified individual if known.
All work was created at the University of Dundee as part of the Forensic Art and Facial Identification program 2016.
Forensic facial reconstruction is the process of recreating the face of an individual, whose identity is often unknown, from the skeletal remains thought scientific approximations and artistic techniques. It is the most subjective and often controversial technique in the field of forensic art.
Reconstructions created using the program Geomagic Freeform.
All work was created at the University of Dundee as part of the Forensic Art and Facial Identification
This reconstruction was done blind following scentific methods using Geomagic Freeform. The final product was textured using photoshop prior to the official image being released.
This reconstruction was done blind following scientific methods using Geomagic Freeform. The final product was textured using Photoshop prior to the official image being released.
This reconstruction was done blind following scientific methods using Geomagic Freeform.
This reconstruction was done blind following scientific methods using Geomagic Freeform.
This is an archeological reconstruction which only speculates what a pre-columbian individual may have looked like. This piece was a first draft for the third semester project which would come.
Texture was added to the final image using photoshop.
Video put together by DJCAD staff for the event
A video showing the set up of our final exhibition show put together by Belal Attia.